Tag Archives: Sgt. Frog

My Life As a (Rookie) Editor: Playing Catch-up

Wow, I haven’t done one of these in awhile, huh?

I’ve been crazy busy since July, probably late June. I went to Anime Expo and San Diego Comic-Con, caught a cold, did about 3-4 script edits for TOKYOPOP plus other editorial work for them, probably had about 5-6 math tests and just as many homework assignments, turned 23, ran a contest, wrote 13 different blog posts (not including this one), started Webcomics Wednesdays, went to a midnight release party for the last Scott Pilgrim book and met so so many people I’m not sure I can remember them all. On top of that, I’ve been working to start a travel blog for my mother’s business and negotiate with another potential client.

Who says freelancers just get to sit at home and lounge around all day! I’ve been working hard! Luckily for me, I got the largest amount of hits on my blog EVER! That was pretty cool. I hope I can top those numbers soon. :D I’m counting on you guys! Always let me know what you want to hear about, please

Because of this, I’ve sort of half-missed the month of my first two releases as a freelance editor: Zone-00 4 and Sgt. Frog 19! Both have been out since July, so please pick them up if you’re interested. Especially Sgt. Frog, which doesn’t really necessitate the purchasing of volumes 1-18 to pick up volume 19. It’s pretty episodic. (AND IT NEEDS MORE LOVE!)

I have a few loose goals for the rest of August and the coming months.

1. I need to lose weight, which I haven’t been able to focus on since everything’s been so crazy. Now that a lot of major events and a time-eating math class is out of the way, I’m going to spend more time at the gym for sure.

2. I need more clients, which I have also had to put off because July was insane and then the first few weeks of August decided to follow suit. I’m going to refresh my resume this weekend and make some impassioned pleas to give lil ol’ me some more work.

3. I need to read more manga. I have a huge stack. I bought over 100 volumes of manga in July (for really cheap), acquired more since then and I haven’t been able to make a very large dent in my stack. Because of this, I don’t think I’ll be buy much new manga in August. ^_^;;; At least reading manga qualifies as job research! Hehehe.

As is customary, here’s a list of stuff I’ve been working on that will be out in the next few months:

August:

Genju no Seiza 8 and Kyo Kara Maoh 7

September:

Hetalia Axis Powers 1 (!!!), Pet Shop of Horrors Tokyo 7 and Fate/stay night 9

Tomorrow I plan on sleeping til 9 a.m.!

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Anime Expo 2010: Days 3 & 4

Phew, I’m feeling a little bit better than yesterday, but more importantly, I have more time to write this post than I thought I did! Always a good thing!

Saturday:

Viz’s industry panel started off the morning by telling shonen fans everywhere that Shonen Jump‘s subscription price has dropped to $26.95 and, in case you are a Los Angeles anime fan, Stan Lee is having an Ultimo-only signing at the Grove Barnes & Noble on July 16th. (I think I’ll skip that one.)

New licenses included Mistress Fortune and Sakura Hime Kaden by Arina Tanemura, Oresama Teacher by Izumi Tsubaki and Ai Ore by Mayu Shinju.

Viz also announced the simulcast of Nura: Rise of the Yokai Clan starting this week on their website. You can already watch the first episode.

The Production I.G. panel was switched from Sunday to Saturday, allowing Production I.G. a better time slot, albeit fewer attendees. They announced the license of Loups=Garous, Broken Blade and (mistakenly announced) that Nozomi Entertainment had the license to the Revolutionary Girl Utena movie.

I attended the live recording of the ANN Cast, which you can listen to here. I didn’t have any good questions to ask, but you can hear me yell at the guy gunning for Princess Knight anime and manga releases that he may have been confusing the popularity of the Tezuka manga with the international fame of Riyoko Ikeda’s The Rose of Versailles. Guy hadn’t even heard of Vertical Inc. and their spectacular Tezuka line-up. What a shame.

Then the day was over, I had bought too much manga, and wound up attending an industry party that was a lot of fun. But I did manage to snap some cute pictures of cosplayers from the first two series I edited: Zone-00 and Sgt Frog! (Here’s another one.) New volumes of both those manga are due out this month, in case you are interested in my work.

Sunday:

Sunday was much more laid back. No big industry panels, still lots of people in the dealer’s hall because it was a weekend and my last round of manga buying. I was rather sad that I left without From Eroica With Love volumes 12 and 13, which I had sworn I’d seen on sale somewhere the day before, but I managed to buy volumes 14 & 15 instead.

It was a fantastic con for me, although I kept hearing whispers of low dealer registration for next year’s con and grumbles from the dealers themselves. I wonder how future Anime Expos are going to turn out if dealers do not want to return, but I hope the SPJA can do something to bring them back before that even happens.

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My Life as a (Rookie) Editor: My Collected Works

Manga blogger Ed Sizemore of Manga Worth Reading recently suggested that I re-do my banner to include manga that I’m credited for.

There’s only one problem…

It would look like this:

Red Hot Chili Samurai

"ALL BY MYSEEEEEEELLLLLFFFFF~~~~~~"

See, there’s only two three manga out there (so far) with my name on it. This is the only one I own.

The other manga is Gakuen Alice vol. 9 and Your & My Secret vol. 5 if you’re wondering.

The reason for this is actually quite simple. People at TOKYOPOP kept handing me BLU stuff and asking: “You like boys’ love, don’t you?” (Answer: “I don’t mind it.”; Translation: “I am lowly intern scum, so I’m going to say yes regardless of whatever I REALLY think about it.”) So I kept editing BLU titles and the thing about BLU titles is that NO ONE LIKES TO ADMIT THEY WORKED ON THEM. Don’t believe me? Grab the closest BLU title, flip to the back of the book, find the credits page and look for the names of the English-language staff.

Now, there’s nothing wrong with not wanting to admit to being responsible some of the shounen-ai and yaoi that’s been put out (whether from BLU or other companies), but I kind of sort of feel like I should get some credit for copy-editing Madness. (I worked on both volumes of the series, actually.) That title came back from the letterers so full of errors that I went back multiple times just to make sure I didn’t miss anything. On top of that, the art style is very tone-heavy, so it was pain to mark all of the really really darkened panels. As hard as I worked on it though, there’s no way I want to be associated with some of the funky stuff that goes down in Madness, so I guess that I’ll stop whining about it.

If you’re interested here are some of the volumes that should have my name somewhere in them:

April-

Fruits Basket Fanbook: Banquet (4/27)

Battle Vixens 15 (4/27)

June-

Gravitation Collection 5 (6/1)

Fruits Basket Ultimate Edition 5 (6/1)

Sgt. Frog 19 (6/29)

July-

Zone-00 4

August-

Genju no Seiza 8

I hope you enjoy them all and I hope I get to fill my bookshelf with awesome titles that I’ve worked on someday!

P.S. I don’t REALLY hate working on yaoi or shonen-ai, I just dislike the assumption that because I’m a female manga fan, I must be an obsessive yaoi fangirl. All that really happened was that I got asked “you like boys’ love, right?” a lot while interning at TOKYOPOP and it kind of became something I privately giggled about. Plus, through editing so much yaoi manga, I became that much more familiar with it’s tropes and whatnot. I can speak about it with a lot more confidence now and that’s good for a lot of things! Also, in comparison to Madness, copy-editing the Fruits Basket Fanbook was a lot harder!

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