Tag Archives: yaoi

Get Thee to a Borders!

Sorry for the super-shitty way I’ve been NOT posting on this blog. The past couple weeks have resulted in a mess of SO BUSY which caused a major downfall of my “get-stuff-done” ethic. I plan to correct this by not having any other choice but to get stuff done before the crazy whirlwind of copy-edits is flung my way next week. Allons-y!

No doubt you’ve heard some inklings of the bad tides Borders is headed into. Publishing blogs are screaming the news on Twitter every couple of hours about publishers demanding payments from the troubled mass bookseller so hard that it’s even made it to the Yahoo! front page. This morning was met with the news that Diamond Book Distributors is freezing it’s shipments to the company until Borders brings it’s account into good standing. What does that mean? No new manga at Borders for possibly a very, very long time. Shit.

Now I know it’s kind of hard to back up a massive book chain sometimes, but Borders is kind of the stuff that keeps the manga industry alive and kicking. According to Robert’s Corner Anime Blog (and presumably he got his findings from ICv2’s article), Borders’ manga sales make up for about 20% of new manga sales. If we lose Borders as a major manga bookseller, I’m going to go ahead and predict that manga publishers are going to cut down on their output. Why? Because Borders devoted a lot of shelf space to manga and now publishers will have to rely on Barnes & Noble, who gives manga less bookshelf space and won’t buy most adult-oriented titles, to reach a wide audience.

Borders buys tons of yaoi and BL titles, allowing the average fujoshi to get their kicks easily. I don’t think I’ve seen BL on Barnes & Noble shelves since they realized just what was under all that plastic wrap was making some uptight parents mad. Borders is also pretty good about stocking mature titles. I found Sundome and Ayako at Borders recently. I almost never find Vertical Inc. titles at Barnes & Noble. But basically, without Borders, companies like DMP won’t be able to sell their product as well. Obviously, if they can’t sell mature titles to major booksellers, they’re going to stop licensing mature titles. I’ve already seen this happen when a mature title is mentioned as a possible license. Can’t sell it at certain large stores? Pass! And Barnes & Noble won’t start giving more space to manga for one painfully obvious reason: manga aisle hobos. For every manga that inconsiderate fans read in the aisles instead of just buying, Barnes & Noble loses 2-3 sales on a guestimated average. (Manga aisle hobos never stop at reading one book, I’ve noticed.) Why should Barnes & Noble devote more space to books that are just going to be used as a library instead of purchased? I wouldn’t.

But what about online retailers and comic book stores? Well, online retail might be able to pick up the slack, but when you think about younger readers who don’t have their own disposable income or a credit card of their own or mommy and daddy’s permission to buy online, it’s clear that crucial audience will be cut off and will likely turn to scanlations. Comic book shops are hit and miss. I’ve seen shops with gloriously large manga sections and everything a manga lover could ever want. But I’ve seen plenty more comic shops were manga is a throwaway section and they only buy new stock from the stuff the staff prefers to read. This is usually great for people who like old manga, niche stuff, art manga or almost anything by Vertical, but if you’re looking to get your next volume of Naruto or Bleach, you’re not going to find all 60+ volumes on the shelves. Nor are you going to find your shoujo titles or yaoi. Why? Because small retailers don’t care and because manga takes up way more space than any of the single issues or trade paperbacks out there. And 40 copies of the latest Batman is going to sell lots faster than the same number of Vampire Knight volumes. Yaoi? BL? Probably not going to touch the stuff out of hard-headed principle.

The result of a Borders collapse and a higher demand for physical manga sellers can probably be met by shops that focus more seriously on selling all kinds of manga, but here’s why that won’t happen: It takes serious cash to build up that kind of stock. It would also take a lot of people opening up physical manga-focused bookstores around the country to fill in the gaps left by Borders and that will take too much time for manga publishers to quickly ease the blow. There will probably be more layoffs and monthly output will be slashed in half. Smaller publishers will crumble or be shut down by parent companies. Again.

The only possible bright spot? Publishers will switch more over to digital formats because there just won’t be space for physical books nor will there be the money to pay the printers.

If you haven’t been able to tell, it’s not fun writing these apocalyptic predictions for the U.S. manga publishing biz. We should all be rejoicing in happier news like new licenses, shiny digital releases and fledgling publishers who promise to bring over manga we’ve never seen before. But this is the sad truth: people just don’t read books like they used to. Perhaps because of large chains like Borders have made books too easy to find in multitude & taken away the joy of finding a treasure in a smaller shop, perhaps because the cost of books are so high, perhaps because America has sucked at making reading enjoyable for a large number of people through its education system. The recession is obviously a factor, but a book addiction remains a relatively cheap hobby that will probably still cost less than a jacked-up cable TV package. The big screen TV just takes up less space.

But I have a solution, at least for now. The only trick is getting enough people to do it.

I propose that everyone who reads this blog goes into a Borders sometime in the very near future (because Borders is going to eventually sell out of it’s remaining stock) and buys at least one manga or graphic novel. As you are purchasing your comic book of choice, tell the person ringing up their purchase(s) that you are buying this graphic novel(s) in the hopes that Borders will be able to remain in business and restore their good standing with Diamond Book Distributors soon. If possible tell this to a store manager or ask an employee to pass the message to one. Buy more than one comic book if you can. And, if you’re receiving decent service, tell the employees that you’re doing this in the hopes that they can keep their jobs.

If you’re worried about the money you might be spending, here have some coupons and a 5 books for the price of 4. Obviously you should try to limit the use of those coupons as allowing Borders to get the maximum profit from your purchase will benefit them more in the end. But it’s an incentive to do it if you’re on the edge about this due to cash problems.

I want a full report from all my readers of whether or not you plan to do this and if you do plan on doing this soon, what you bought and the reactions you received.

As for myself, I’m getting down to my nearest Borders after I have lunch and a shower. Hope I can find Ooku vol. 5 there and some other good manga that my local comic book shops never stock.

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Tokyopop puts two new BLU titles on eManga

A spot of manga news for you folks tonight.

Digital Manga Publishing’s eManga site is now hosting a dozen different BL/yaoi titles from TOKYOPOP’s BLU imprint. Of the titles included in the release, I can confirm (because I work for them and I can look up the system that tells me when their street date is) that Secretary’s Love by Tohko Akiba and Stray Cat by Halco are being released ahead of their print street date. Secretary’s Love won’t be out until December and Stray Cat won’t hit until early November, so the wait won’t kill you if you want to hold out for a print copy.

Each title can be purchased for about $6 in points from the eManga site, but they can only be bought to “keep” instead of being “rented”, which is an option with DMP’s own titles.

Not a bad deal if you’re looking for a cheap way to get your BL fix (some of these titles sell for $14.99 in print)! Personally, and I have nothing to do with the decision to put them on eManga although I have edited some of the titles there, I’m really happy to see TOKYOPOP doing this. It’s an especially smart move considering DMP has a good platform for digital viewing and an audience that reads BL. Definitely a smart move on the company’s part.

You can see all the manga from TOKYOPOP/BLU here and enjoy a night or two of steamy, cheap, pixelated man-love.

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Osaka Considering Regulation of Female-Oriented Manga

When I first saw Anime News Network’s clip on how Osaka is reviewing josei and boys’ love manga and other related materials for content that objectifies youth under the age of 18, I didn’t really notice it. After all, Tokyo’s been considering something similar so I figured Osaka just jumped on the bandwagon.

…Until I read Anime Vice’s post on the same subject when I realized something —Osaka is ONLY going after stuff targeted at women.

…WHAT THE HELL, OSAKA?

Imagine a world where josei did not exist for exploring female sexuality.

Now, I can understand the importance of regulating material that objectifies minors as well as the next person, whether it be shojo, josei or hentai. That’s not what I have a problem with. My problem is the fact that the Osaka Prefectural Government is ONLY going after materials that women read and NOTHING that’s marketed at guys. (Oh yes! There is a history of them ONLY going after female-oriented material!)

Excuse me, dudes, I do not think that is fair. I won’t say that the fairer sex isn’t past questionable Harlequin romances and even more questionable yaoi cliches, but I do think that dudes are a little more into objectifying minors than women are. Or, at least, most men do it with a little more frequency than most women do. If I am wrong, then I guess I’m going to hell for over-generalizing and will have to forever apologize to every guy who’s ever masturbated.

Moritheil of Anime Diet reminded me of Japan’s not-so-secretive sexism, how politicians don’t think realistically and how concerned Japan is with being able to sell anime and manga overseas, but I still have to say SHAME ON OSAKA.

I am so royally pissed at Osaka for not going after guy-oriented manga too. I know there HAS to be SOME ecchi, harem, moe-blob or hentai manga being sold in Osaka that’s objectifying minors!! Don’t tell me it doesn’t exist!

I SO wish I lived in Osaka so I could give the prefectural government there a little piece of my mind, but I am stuck with meaningless fan rage. I sincerely hope that Osaka’s government either includes scrutiny of male-oriented manga and related materials in their study or drops it all together in the sake of total free speech.

Ladies and Gents, what are you thoughts about this focus on regulating ONLY female-oriented manga?

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My Life as a (Rookie) Editor: My Collected Works

Manga blogger Ed Sizemore of Manga Worth Reading recently suggested that I re-do my banner to include manga that I’m credited for.

There’s only one problem…

It would look like this:

Red Hot Chili Samurai

"ALL BY MYSEEEEEEELLLLLFFFFF~~~~~~"

See, there’s only two three manga out there (so far) with my name on it. This is the only one I own.

The other manga is Gakuen Alice vol. 9 and Your & My Secret vol. 5 if you’re wondering.

The reason for this is actually quite simple. People at TOKYOPOP kept handing me BLU stuff and asking: “You like boys’ love, don’t you?” (Answer: “I don’t mind it.”; Translation: “I am lowly intern scum, so I’m going to say yes regardless of whatever I REALLY think about it.”) So I kept editing BLU titles and the thing about BLU titles is that NO ONE LIKES TO ADMIT THEY WORKED ON THEM. Don’t believe me? Grab the closest BLU title, flip to the back of the book, find the credits page and look for the names of the English-language staff.

Now, there’s nothing wrong with not wanting to admit to being responsible some of the shounen-ai and yaoi that’s been put out (whether from BLU or other companies), but I kind of sort of feel like I should get some credit for copy-editing Madness. (I worked on both volumes of the series, actually.) That title came back from the letterers so full of errors that I went back multiple times just to make sure I didn’t miss anything. On top of that, the art style is very tone-heavy, so it was pain to mark all of the really really darkened panels. As hard as I worked on it though, there’s no way I want to be associated with some of the funky stuff that goes down in Madness, so I guess that I’ll stop whining about it.

If you’re interested here are some of the volumes that should have my name somewhere in them:

April-

Fruits Basket Fanbook: Banquet (4/27)

Battle Vixens 15 (4/27)

June-

Gravitation Collection 5 (6/1)

Fruits Basket Ultimate Edition 5 (6/1)

Sgt. Frog 19 (6/29)

July-

Zone-00 4

August-

Genju no Seiza 8

I hope you enjoy them all and I hope I get to fill my bookshelf with awesome titles that I’ve worked on someday!

P.S. I don’t REALLY hate working on yaoi or shonen-ai, I just dislike the assumption that because I’m a female manga fan, I must be an obsessive yaoi fangirl. All that really happened was that I got asked “you like boys’ love, right?” a lot while interning at TOKYOPOP and it kind of became something I privately giggled about. Plus, through editing so much yaoi manga, I became that much more familiar with it’s tropes and whatnot. I can speak about it with a lot more confidence now and that’s good for a lot of things! Also, in comparison to Madness, copy-editing the Fruits Basket Fanbook was a lot harder!

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